CHPB KICK OFF JAM

July 22nd, 2010

The Crodile

Seattle, Wa

You’ve heard of the “after party”, but this year Seattle festivals have adopted the new tradition of holding “launch” or “Kick Off” parties.  “Before the party’s the Kick Off Party.“  It’s like R. Kelly in reverse.  The “Re-remix to Ignition“.  When your festival already contains the term “Party” in its title, it can feel a little unnecessary or excessive.  I wish that I could honestly say that it didn’t feel that way at the actual event, but I can’t.  [Correction: in all fairness, this was technically a kick of "jam" not "party".  Our apologize for anyone that was dying to correct me before I was able to apologize.]

Just like the Sasquatch Festival‘s “Launch Party” equivalent, The Capitol Hill Block Party‘s “Kick Off Jam” was held at the somewhat-recently reopened historic local club, The Crocodile.  Sasquatch‘s event featured performances by Surfer Blood, Atlas Sound, and local hip hop duo, Fresh Espresso.  I believe it was sponsored by E-Surance.  This event was headlined by Holy Fuck Holy F! with OBITZ and Unnatural Helpers opening.  We were contacted by DICKIES workwear about being VIP-listed for the show.  It was still a free event, otherwise, as long as you RSVP‘d on the site of their co-sponsor, FILTER Magazine. (more…)

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NEIL HAMBURGER

The High Dive

Seattle, Wa

July, 9th 2010

When I saw Neil Hamburger perform for the first time, I had no idea what I was attending.  Mac Dawg was opening the show with his old Judas Priest cover band, Hell Bent For Aids Research, so I was mostly there to check that out.  This was easily 9 or 10 years ago and the show was held at an Olympia, Wa staple known as Le Voyeur.  In essence, the place is a grimy-ass dive bar that used to pay us with nothing but a 5 dollar bar tab (per band member).  It’s the the type of joint that, more times than not, involved traveling acts passing an empty beer pitcher around and relying on donations for gas money, just to get to the next town.  This event was slightly bigger, so I’m sure that there was probably a slight door charge but, whatever it cost, it was entirely worth it.

That whole show was actually pretty crazy.  First, Mac Dawg‘s group knocked out their set, which featured no less than 5 covers of “Hell Bent for Leather” and a moment of excessive live nudity.  Next was the hairy, Canadian duo of Canned Hamm, who serenaded us with crowd favorites like “Karaoke Lady“, while wearing little more than ascots and briefs.  When the headliner finally took the mic, he was fully clothed in his trademark tux.  Hamburger‘s aesthetic also involves a greasy comb-over, large eyeglasses, and an armload of mixed drinks that spill and tumble to the floor around him, as he staggers through his generally painful sets.  His disheveled appearance is standard and his “anti-comedy” often staggers and lurches between clever, biting wit and intentionally terrible, popsicle-stick-caliber puns and riddles.  Through creating his alter-ego of “the world’s ‘worst’ stand-up comedian“, Gregg Turkington manages to confuse the lines between audience and subject… brilliance and stupidity… comedy and… severe discomfort.  We’ve written about Neil before and should have an interview posted with “America’s Funny Man” soon enough, so I won’t go too deep into his back-story for now.  What I will say, however, is that the best parts of his routines come from the uncomfortable dynamic created between the character and his unsuspecting audiences.  I’ll never be able to fully relive the experience of watching his work unfold for that very first time, but, based on what I’ve witnessed from his current tour, the magic has definitely not been lost. (more…)

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I started hearing about Harmony Korine‘s new film, Trash Humpers sometime last year.  Slowly more info and video clips would pop up, but my main focus was to find out when I would actually be able to see it.  When that information finally arrived, it was coming from an unlikely source, Drag City records.  Drag City is a record label and, as far as I am aware, this is their first attempt at film distribution.  Aside from that fact, there are actually a few reasons that make the connection between the label and the filmmaker slightly less surprising.  At the end of 2008, Drag City released a collection of Harmony Korine‘s old fanzine work and, earlier that year, they put out the soundtrack to his last film, Mister Lonely, which featured original music by J. Spaceman and the Sun City Girls.  Harmony also has connections to other Drag City artists like Bonnie “Prince” Billy, of whom he has directed a video and even appeared on recordings, while the musician made a cameo in Korine‘s Julien Donkey Boy.  When I found out that Trash Humpers would be screening on June 18th at the NW Film Forum here in Seattle, this was great news because, not only would the director be in attendance, but we have a bit of a connection with Drag City as well.

Harmony Korine is an individual that I’ve been interested in interviewing for quite some time and I had hoped that this might finally be an opportunity to make that happen.  Unfortunately, two issues got in the way of making this a reality.  The first was that I didn’t want to request an interview through our connection at the label until we had already had the last interview with Drag City artist, Baby Dee posted.  Once that was handled, I sent my last-minute request at the worst possible time.  Our contact was traveling out of town, as well as working tirelessly to promote the project, so we were dealing with auto reply emails and missed connections.  We got an encouraging email stating that there was a possibility that the  interview could definitely go down, but never a confirmation that it definitely would.  Thanks to a nearly 1/2 hour Q&A and a flip cam, however, I was able to discover some interesting information and am now able to share the footage with all of you pleasant bastards. (more…)

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When KIDS was released in 1995, there was a lot of “controversy” behind it’s explicit content involving teens, drugs, and violence.  I remember all of the hype clearly; I was 16 at the time.  The film’s writer, Harmony Korine was 22, however, he was only about 19 when he wrote it [wikipedia claims "18" Korine has guessed "20"].  I watched KIDS and thought that it was a solid film, but it didn’t change my fucking life like the nightly news had claimed that it would.  Then again, I think that any lack of shock value for me may actually be a testament to the reality that had been infused within it.  While KIDS jump started the careers of first time actors like Rosario Dawson and Chloe Sevigney, Korine didn’t quite live up to the “promise” that many had expected for him.  That’s not to say that he didn’t continue to produce amazing pieces of work or to move forward in his career, it’s just that he never seemed harnessed into the limitations and ideas that had been placed on him by others.  One way to put it would be that the “promise” that the golden boy had placed on him wasn’t a promise that he had actually ever “made” himself.  In ways, his story is Pecker-esque and, as quickly as upper class socialites might take in a troubled youth for their own self-righteous ego boost, they will toss his ass out and turn their backs on him once he lives up to his inherent nature by intentionally smashing their Fabergé eggs, getting their daughters drunk, and stealing their cars. (more…)

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Early last month, multi-Oscar-nominated actor, Edward Norton was invited to the Northwest as part of the 2010 Seattle International Film Festival.  Beginning on June 3rd, with American History X, and ending on the 5th, with Spike Lee‘s 25th Hour, SIFF helped to celebrate the actor’s illustrious career by screening some of his most successful work.  Norton was on hand to provide short personal introductions to each of the films, but the most substantial portion of the tribute took place on June 4th at the Egyptian Theatre and included the festival honoring him with their trademark Golden Space Needle award.  The festivities at the Egyptian also featured a live interview with the actor and a screening of his latest project, Leaves of Grass.  I was there for the events and, for an artist who’s managed to build a career off of his ability to shift characters effortlessly, often within the same role, I can safely say that Norton only exposed one of his faces that night. (more…)

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GIVEAWAY HAS ENDED!

We love Frank Zappa… a lot. This also means that we take it seriously when someone decides to cover his music. We are sure that his son Dweezil loves him too… a lot, but that doesn’t mean that he’s capable of covering his father’s work and doing it justice. When I heard about the Zappa Play Zappa project that Dweezil has embarked on, in which he tours with a group of hand picked musicians to cover his father’s music live, I was incredibly skeptical.  However, after speaking to some of the biggest, most hard-assed, and critical Zappa fans that I know, every response that I’ve heard has been incredibly positive.   It sound like this kid has taken this project as seriously as anyone could have ever hoped and that the resulting effort is beyond what could have ever been expected.  When Zappa Plays Zappa makes it’s way to Seattle on Monday June 14th with a performance at the Moore Theater, it will be our first opportunity to catch this critically acclaimed tour for ourselves and see if it lives up to the hype. T he good news for you is that, we’ve teamed up with the Seattle Theatre Group yet again, to offer that same opportunity to some of our readers, for free!

Our friends at STG Presents have offered us 20 pairs of tickets to give away!   Yep, that’s 40 total, and were’ not fucking around.  This is no joke my friends.  In fact, it looks like we will probably have even more than that, when it’s all said and done, so pay attention to the rules and act quick if you’re interested.   If you do this right the first time we shouldn’t have any problems.

HOW TO ENTER

We’re doing this shit real simple like. (more…)

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