Everyone has been waiting around to find out what was up with the Fall tour dates which, at this point, have really become much more like Winter Tour dates.  This morning, in typical Phish 3.0 fashion, the dates were introduced via a video on their website.  Most of you will be happy to know that the rumored dates that have been floating around for so many months have officially been confirmed as legit.  The real surprises are the two additional dates added to that list; one in Syracuse and another in Portland, Maine.  The Portland show is scheduled to take place at the Cumberland County Civic Center and will easily be one of the hardest tickets of the year to get your hands on.  The “C4“, as I have just decided to start referring to it as, is listed with a capacity of only 9,000.  What’s more is that the Syracuse show will be held at War Memorial at Oncenter (capacity 8,000).   ZOIKS!

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Banksy has stepped up his game by setting up shop in NY and taking his artistic vision into even more 3-dimensional and interactive areas.  When I find out about something this amazing I have an urge to post something about it immediately.  When it deals with the work of an artist that I already have a large amount of respect for I feel like jumping right in the middle of the subject even more.  The issue with this is that, to achieve the accessibility for everyone that we want on Monster Fresh, no one should have to jump into a swirling article or topic like a game of double dutch.  There is always that moment that we first find out about something new and I want to be able to help introduce new forms of expression and artists instead of just featuring the latest release or project so, before providing the latest update, let’s first tackle a little of the back story behind Banksy and his work.

Banksy is one of the most influential and forward thinking graffiti artists of the last 20 years. He is well known for his stenciled bombing which he honed in the Bristol area of the United Kingdon.  In his book “Banksy: Wall and Piece” (2005) he states that he decided to start doing his tagging with a stenciling format after being caught and running from the cops at the age of 18.  He claims that, while hiding, he “spent over an hour under a dumpster truck with engine oil leaking all over (him)“.   He looked up at a stencil on the fuel tank and realized that he had found his answer to cutting his painting time down to a fraction of what they currently took.

I highly recommend “Wall and Piece” because it is, not only an impressive composition of his collected work, but also full of quotes and passages that display the artist’s distinct vision and philosophies.  What makes Banksy’s work consistently relevant isn’t his ability to draw or paint, or even his cunning vandalism, but his voice.  I’m not going to claim that all graffiti is vital and has something to say beyond simple territorial pissings or blind destruction, because much of it is done ignorantly, but I will openly argue with anyone that claims that Banksy’s work isn’t absolute art in its purist form.  His graffiti work evokes thought, inspires hope, and contains strong social commentaries about capitalism, politics, and, most of all, humanity.  Like artist Ron English, Banksy’s hopeful, yet “illegal“, art pieces are often created in response to the corporate advertisements and “legal” oppressive imaging that we are bombarded with on a daily basis. (more…)

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