FREEDOM RIDE: Halo Benders on the Real Stories of the Highway Patrol
I spent a good part of this morning unsuccessfully looking for an old black & white Halo Benders promotional photo from the mid 1990s. I’ve been working the same type of hustle that I am now for half of my life and, when I was in high school, I spent the majority of my focus on getting companies to send me free shit for my marketing program’s “trade show” projects. The Calvin Johnson founded, K Records was one of the most helpful and provided me with tons of merchandise and materials, including that Halo Benders photo, which was intended to hype the group’s sophomore effort, Don’t Tell Me Now (1996). Two years prior, when Johnson (Beat Happening) first started the side project with Doug Martsch (Built to Spill), I had begun hearing the song “Don’t Touch My Bikini” on the local community college radio station. Both keeping with and ending their pattern of dropping a new album every other year, Halo Benders released their final album, The Rebels Not In, in 1998. That release contained “Virginia Reel Around the Fountain“, a song that is still a regular feature on Built To Spill set-lists to this day. Calvin hopped on stage with BTS for a few random cameos throughout the following decade and the group reunited with a slightly altered lineup for a pair of shows in Boise, Idaho. There have even been some random non-confirmed rumors of a possible new album and/or comeback but, for all intents and purposes, The Halo Benders were a Nineties band. At one point or another during that initial run, the side-project even made an infamous, yet rarely seen, appearance on a quintessential 90‘s television program. Thanks to today’s technology, the footage from that fiasco is just one more thing that has managed to resurface in our current times. (more…)
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Tags: Beat Happening, Built to Spill, Calvin Johnson, Crime, Doug Martsch, drugs, Halo Benders, K Records, Music, Police, Real Stories of the Highway Patrol, the nineties, UHP, Utah, Video
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Exciting and heart breaking, and original, yet familiar; Built to Spill’s new album is everything that I had hoped that it would be. There is No Enemy is comprised of eleven tracks which were recorded over a span of three years. I have to admit that, when you love a band as much as I love this one, there is always a huge fear of disappointment that accompanies the anticipation of a new release. This is especially true when a band has been around for a while and they seem unlikely to produce anything that could out-do what they have already created in the past. For the many who share these concerns, I am elated to report to you that, Yes, I am in love with this album, and Yes, I do want to marry it.
