Everyone knows that spaceships are really time machines and that aliens are clearly future humans changed through evolution stemming from a post-apocalyptic world.  The words “Asian” and “Alien” are strikingly similar and, with their advanced technology, along with the following footage, I finally feel that it’s safe to publicly assume that the Japanese race was originally sent back in time thousands of years ago to shape our technological futures and to create the ultimate dance machines.

U-Min (aka: Woomin) was a dance crew from Japan who’s name means “unknown”.  They have a strong foundation working with popping, the robot, and an “animation” dance style.  From my understanding, 2 of the members (pictured) had left the group to start a crew called U-Min No Kokoro (meaning “core” or “soul” of U-Min) but, last year, they appeared collectively in Missy Elliott’s ‘”Ching-A-Ling‘” video from the film Step Up 2: The Streets. Although the video features the crew dressed in homage to the Baseball Furies gang from the film The Warriors, it didn’t truly showcase what the crew was capable of.  I saw a video of them over a year ago, where they were performing on stage and it blew my mind.  I had planned to post it, but never got around to it.  Tonight I stumbled across another video from the group that triggered by memory; both are posted here.  Leave a comment and tell us what you think.  If you have any more info on the crew, feel free to drop that info here as well.

thanks,

-Dead C (more…)

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Much of Brian “Buckethead” Carroll’s popularity has risen through his temporary stint as the guitarist for AXL Rose’s makeshift post millennium disaster that he is still stubbornly referring to as Guns N Roses.   However, if you were a fan of Buckethead’s work prior to this, his inclusion in the group may have actually come as a surprise.  Being introduced to his music through previous releases such as  Bucketheadland (feat. Bootsie Collins and released on Avant-Jazz Sax legend, John Zorn’s label),  Monsters and Robots (featuring Les Claypool), and DJ Q-Bert’s animated turntable masterpiece, Wave Twisters, I myself was shocked by his involvement in GNR.  That is until I realized that, if Bon Jovi called me up and asked me to join him in a country-rap project, I would do it just based on the sheer novelty of the whole experience.  My friend Lars gave me a report on the GNR show that he saw featuring Buckethead on guitar by saying, “I still can’t tell if this is the best show I’ve ever seen or the worst“.  Based on what Lars had seen, he theorized that the tour wouldn’t last much longer due to Axl’s inability to restrain Buckethead or Carroll’s long-time collaborator, drummer Brian “Brain” Mantia, to his satisfaction.  Of course, his prediction was right yet, Buckethead seems to still be primarily associated with the corn-rowed has-been. I may be wrong in my assumptions but, I doubt that there are really too many consistent fans of Buckethead’s music.  His discography spans over 100 different albums in varying genres, including classic metal, electronic, funk, ambient, dub, jazz, and more.  This means that, even if you have heard multiple projects that the musician has been featured on, you still may not have a complete grasp of what he is capable of or that you have had much more than a glimpse of the overall scope of Carroll as an artist. (more…)

Popularity: 10% [?]