Whether you knew him as Jay Dee, Jay Dilla, or simply James Dewitt Yancey, when the Detroit native, super-producer/MC died from from the rare blood disorder TTP,  he had already managed to make an incredible impact during his mere 32 years (February 7, 1974 – February 10, 2006).  Among his family and friends, Dilla left behind an allegiance of fans, admiring colleagues, and an irreplaceable gap in the music industry.  He also left behind endless new fans, imitators who were forced to discover their own sound, and a posthumously ominous swan song entitled DONUTS, which he perfected on his death bed.

On Feb. 13, STUSSY paid tribute to Dilla through collaborations with Yancey’s estate and Stones Throw records.  Stage one involved the clothing company’s release of a limited edition T-shirt, featuring a classic image of the producer take from Raph Rashid’s photography book “Behind the Beat: Hip Hop Home Studios“.  From there, Stones Throw embarked on multi-city in-store release parties for this shirt.  The main project that was birthed through this collaboration, however, was a 3-part documentary, offering insight into Jay Dee’s character and time on this planet.  Each piece has been being released one at a time and, now that the final installment has finally arrived, we’re pleased to provide the documentary to you now with it’s pieces back to back and in it’s entirety.

Enjoy
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Created and run by Gio Tonineli from Pondpatrol.com, GI JOE FEST has provided a forum for enthusiasts of both stop motion animation and the classic Hasbro action figures, since 2007.  What the festival entails is fairly simple: each year open-submissions are accepted for anyone (internationally) who has created a stop-motion film, which includes at least one character represented by a GI JOE action figure.  The submissions close around July, when a pre-selection screening for the festival takes place.  In October, the films are judged and screened at the infamous, Alamo Draft House in Austin, TX.  Beginning early the following year, the final selection of films begin their limited city tour as a festival.

Tonight (Feb. 10, 2010) marks the kick off of the 3rd annual GI JOE Stop-Motion Film Festival, (more…)

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Sam Flores

We at Monster Fresh love The Upper Playground and the crew of incredibly talented artists that regularly collaborate with them.  After the tragedy in Haiti last month, UP stepped up with a 50% Off sale to benefit the disaster victims.  The sale applied to everything, even the fine art prints were 1/2 off, and for every shirt purchased, another shirt was also donated for the cause.  As if that wasn’t enough, now the the folks at UP have teamed up with the likes of Quentin Tarantino, SA Studios Global, and The Weinstein Company in an effort to raise even more money for the Nation in turmoil.  Using Tarantino’s latest Oscar-nominated film, Inglourious Basterds, as their muse, 13 of today’s biggest artists contributed their own rendition of poster art from the film.  Included among the artists are such talents as Munk One, David Choe, Alex Pardee, and Jeremy Fish; each of which brings their own trademark styles and unique approach to their pieces.  However, while some artists’ works are more instantly recognizable, like N8 Van Dyke’s, others display a completely different aspect to their work, (see: Sam Flores‘ print, pictured above).  Each of the 13 prints will run in an extremely limited series only 6 each.  Each print will also be signed by Tarantino himself and will go on sale tonight (Feb. 18)  from 6-9 at the Upper Playground location in Los Angeles.  All profits will be donated to the American Red Cross to aid in the Haiti Earthquake relief effort.  Here’s a great opportunity to contribute to a noble cause, while investing in something that is guaranteed to multiply in value, almost immediately.

Complete details and images of each print, after video: (more…)

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LSD…  it’s a helluva drug.  Back in the day, I did my share (and, perhaps, the shares of a few others).  Some believe that it has the potential to help turn you into such a super genius, that you appear freakishly insane to anyone else that’s not “on your level“.  Then again, it’s always possible that the reverse is happening and they really are going so ape-shit crazy, that it only leads them to believe that that they have a growing mental superiority.  One thing’s for sure; these chemical roller-coasters have the ability to twist up and whack out a synapse, like eating a parasitic egg-salad-sandwich from the vending machine of an interstellar truck stop bathroom.  The reality is that, even with all of the epiphanies and life lessons that one may obtain during these odysseys, there is really no scientific control for the experimenter/guinea pig and, short of a clone or view into a parallel dimension, no one can ever really know if they would have arrived at those same conclusions without the “aid” of the hallucinogen.  The good part is, since there is no way to make that determination, it doesn’t really matter and there are more detrimental things in the world than examining the differences between arrogance and confidence, exploitation and opportunity, respect and glorification, inspiration and contrivance, hustling and…well, hustling.  Despite the blatant self-aggrandizement implied in his stage name, Sean “Har Mar Superstar” Tillmann seems to have an incredibly firm grasp on these concepts and plenty of others.  Of all the electric realizations that I had, however, there is one specific principle that truly epitomizes Tillmann’s career for me: “Regardless of how clearly, simply, honestly, or directly you express a pure truth, it doesn’t mean that anyone else will, necessarily, hear, believe, or even understand what you are trying to relate to them.” (more…)

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David Lynch is best known as an Emmy, Academy Award, and Golden Globe nominated Writer/Director/Producer.  He is the creator of such films as The Elephant Man, Dune, Eraserhead, Blue Velvet , Wild At Heart, and Mulholland Dr., as well as of the television series Twin Peaks.  With such a prolific and influential career in film making, it’s easy to understand why any of his outside ventures may be over shadowed.  Last year Lynch made one such venture with Danger Mouse and Sparklehorse, in which the director provided vocal contributions to the Dark Night of the Soul album, as well as accompanying photographs for the project.  A subsequent gallery show of the photographs took place at Los Angeles‘ Michael Kohn gallery from May 30 – July 29 of 2009.

With the hype surrounding EMI’s refusal to release the music for DNOTS, we posted an extensive two-piece article about the project.  Unfortunately however, we entirely overlooked the fact that Lynch had a completely unrelated gallery show  later in the year.  “David Lynch : New Paintings“, was held from at the William Griffin gallery in Santa Monica from Sept. 12th – Dec. 12th, 2009.  Although Lynch was actually a painter, prior to ever beginning his film career, this collection represents the first of Lynch’s original paintings to be displayed in the United States in more than a decade.

Due to our past coverage of Lynch’s art, we were contacted and offered the opportunity to premiere the following footage by DFL.TV (The David Lynch Foundation).  The video not only contains exclusive coverage of the gallery opening, but celebrity interviews as well.  Among those interviewed are actress, Laura Dern, award-winning film-maker, Roger Corman, and even Lynch himself. (more…)

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This month has proven to be a particularly great one for me as a Wesley Willis fan.  Not only was I offered an original piece of art by the late, great artist/musician, but I was also mailed a copy of an amazing documentary about Willis for review.

I first discovered Wesley’s work when I was in high school and I was immediately drawn to it (pun intended).  Clearly the man had some obvious points of comic appeal, such as extreme moments of profanity and graphic references to bestiality, but there was definitely something deeper to him, even if it wasn’t always easy to determine exactly what it was.  The documentary Wesley Willis’s Joy Rides has successfully managed to capture and express those difficult to verbalize qualities, which made Wesley such a remarkable and inspiring individual.  One quote from the film, which most aptly sums up this phenomenon, was made by Willis‘ friend/art patron, John Stulgate, who said,  “You could see people’s hearts through their interactions with Wesley Willis.”

Although I had been a long time fan, I didn’t get a chance to see Wesley live until 2002.  The show took place in Seattle at The Graceland (now, El Corazon) and Grand Buffet was opening.  I’ll never forget walking from the bar through the doorway into the venue.  I saw Wesley immediately; he was staring frighteningly out of the corner of his eye and in my direction from behind the merch table.  Due to his immense size and weight, Wesley could be a daunting figure and his breaths were loud and heavy like a tranqued hippo.  I, eventually, made my way over to the table to say hello.  I had brought a sniper deployment manual and a 25¢ hardcover book about rottweilers for him to sign, in lieu of my Book of Mormon and 100 Deadliest Karate Moves books, which I had temporarily left in California.  He signed the sniper book but, once he got the rottweiler book in his hands, he was mesmerized.  “Can I keep this book“, he asked.  “Sure“.  After that, it was like I wasn’t even there, so I slipped away as he focused intently on pictures of similar looking dogs.  When the show ended, Wesley headed back behind the table to flip his wares.  I bought a live EP and asked him if he liked the book.  “I got that right back here!” he said.  Then he added, “I wrote a song called ‘Suck a Rottweiler’s Ass‘.  I’m gonna write a song called ‘Suck a Rottweilers Dick‘!“  So I told him, “You need to write a song called ‘Suck the Stripes off a Zebra’s Dick‘.” (more…)

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